Naraguna:Wirjadisastra/bak wedhi: Béda antara owahan
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The hidden foot depicts the workings of [[Karma in Buddhism|karmic law]]. The walls of the first gallery have two superimposed series of reliefs; each consists of 120 panels. The upper part depicts the [[Gautama Buddha|biography of the Buddha]], while the lower part of the wall and also the balustrades in the first and the second galleries tell the story of the Buddha's former lives. The remaining panels are devoted to Sudhana's further wandering about his search, terminated by his attainment of the [[Perfection of Wisdom|Perfect Wisdom]].
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[[File:COLLECTIE TROPENMUSEUM Reliëf O 89 op de verborgen voet van de Borobudur TMnr 10015826.jpg|thumb|right| The Karmavibangga scene on Borobudur's hidden foot, on the right depicting sinful act of killing and cooking turtles and fishes, on the left those who make living by killing animals will be tortured in hell, by being cooked alive, being cut, or being thrown into a burning house.]]
Panèl cacah 160 iji kang kadhelikan ora maujud carita kang sambung-sinambung, nanging saben panèl iku nuduhaké gegambaran pepak bab jalaran lan temahan (''cause and effect'').<ref name="p20" /> Ana gegambaran bab lelaku kang tinutuh, saka ngrasani nganti matèni, sinartan paukuman-paukumané. Ana uga lelaku kang kaprayogakaké, kalebu awèh sedhekah lan jiyarah menyang papan kramat, sinartan ganjaran-ganjarané. Bab naraka kang nggegirisi lan swarga kang nyenengaké uga ana gegambarané. Ana adegan kaanan sadina-dina, kang jinangkepan sesawangan samsara (rodha kauripan tanpa mandeg bab lair lan pati). Pérangan dhasar pamungkus ing Barabudhur binongkar saperlu ngatonaké pérangan sikilan kang kadhelikaké, banjur rélièfé difoto Casijan Chepas ing 1890. Foto-foto iku kang kapajang ing Musiyum Barabudhur (Musiyum Karmawibangga), kang kapernah ing sawatara atusan mèter ing saloring yasan candhi. Nalika kawaluyakaké, pérangan dhasar pamungkus pinasang manèh kanggo nutupi rèlièf-rèlièf Karmawibhangga. Saiki, mung pérangan sikilan iring kidul-wétan baé kang kawiyak lan bisa ditonton para wisata.
The 160 hidden panels do not form a continuous story, but each panel provides one complete illustration of [[Pratītyasamutpāda|cause and effect]].<ref name="p20" /> There are depictions of blameworthy activities, from gossip to murder, with their corresponding punishments. There are also praiseworthy activities, that include [[Charity (virtue)|charity]] and pilgrimage to sanctuaries, and their subsequent rewards. The pains of hell and the pleasure of heaven are also illustrated. There are scenes of daily life, complete with the full panorama of ''[[Samsara (Buddhism)|samsara]]'' (the endless cycle of birth and death). The encasement base of the Borobudur temple was disassembled to reveal the hidden foot, and the reliefs were photographed by Casijan Chepas in 1890. It is these photographs that are displayed in [[Borobudur Museum]] (Karmawibhangga Museum), located just several hundred meters north of the temple. During the restoration, the foot encasement was reinstalled, covering the Karmawibhangga reliefs. Today, only the southeast corner of the hidden foot is revealed and visible for visitors.▼
▲The 160 hidden panels do not form a continuous story, but each panel provides one complete illustration of [[Pratītyasamutpāda|cause and effect]].
===Caritaning Pangèran Siddhartha lan lairing Buddha (Lalitavistara)===
{{Main|The birth of Buddha (Lalitavistara)}}Carita iku kawiwitan saka udhuning Buddha saka swarga Tushita lan kapungkas mawa sesorahé kang kapisan ing Taman Kidang ing cedhak Benarès.<ref name="p21" /> Rèlièfé nuduhaké yèn Buddha lair minangka Pangéran Siddhartha, anak lanang saka Ratu Suddhodana lan bojoné aran Dèwi Maya ing Kapilawastu (ing Népal).[[File:Queen Maya, Borobudur.jpg|thumb|right|[[Queen Maya]] riding horse carriage retreating to [[Lumbini]] to give birth to Prince [[Siddhartha Gautama]]]]
The story starts with the descent of the Buddha from the [[Tushita]] heaven and ends with his first sermon in the Deer Park near [[Benares]].
▲The story starts with the descent of the Buddha from the [[Tushita]] heaven and ends with his first sermon in the Deer Park near [[Benares]].<ref name="p21" /> The relief shows the birth of the Buddha as [[Gautama Buddha|Prince Siddhartha]], son of King [[Suddhodana]] and [[Queen Maya]] of [[Kapilavastu (ancient city)|Kapilavastu]] (in Nepal).
The story is preceded by 27 panels showing various preparations, in the heavens and on the earth, to welcome the final incarnation of the [[Bodhisattva]]. Before descending from Tushita heaven, the Bodhisattva entrusted his crown to his successor, the future Buddha [[Maitreya]]. He descended on earth in the shape of [[white elephant]]s with six [[tusk]]s, penetrated to Queen Maya's right womb. Queen Maya had a dream of this event, which was interpreted that his son would become either a sovereign or a Buddha.
[[File:Siddharta Gautama Borobudur.jpg|thumb|right|Prince [[Siddhartha Gautama]] became an [[ascetic]] hermit.]]
Nalika Dèwi Maya rumasa arep lairan, dhèwèké metu ing Taman Lumbini ing sajabaning Kutha Kapilawastu. Dhèwèké ngadeg ing sangisoring wit plaksa, nyekel cawang sarana tangané tengen, banjur nglairaké bayi lanang aran Pangéran Siddhartha. Carita ing panèl-panèl iku terus baé nganti pangéran iku dadi Buddha.
While Queen Maya felt that it was the time to give birth, she went to the [[Lumbini]] park outside the Kapilavastu city. She stood under a [[plaksa]] tree, holding one branch with her right hand, and she gave birth to a son, Prince Siddhartha. The story on the panels continues until the prince becomes the Buddha.
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